Q – How did you find out about the Terre di Cinema CineCampus?
I first discovered TDC through an ARRI Instagram post—it immediately caught my attention. After diving deeper, I reached out to Stanley Xu (Singapore, TDC22), who shared his experience and encouraged me to apply.

Q – How would you describe your participation at the TDC21 CineCampus? Were you in Camera or Cinematography Dept? Tell us about it
I was part of the Cinematography Department at TDC23, and the experience was nothing short of transformational. Coming from a background in documentaries and corporate/commercial work, I had only shot one short film before attending TDC—I was still finding my voice in narrative filmmaking and wanted to immerse myself in a program that would allow me to work on films overseas. Throughout the program, I worked across five different sets as a DP, Gaffer, and G&E. This hands-on experience allowed me to observe and adapt to diverse creative approaches, significantly accelerating my growth as a cinematographer. But beyond the craft, TDC gave me something even more valuable—a global network of like-minded filmmakers. Some of the friendships I made there have extended far beyond set life, and now, no matter where I go in the world, I know I have a community to connect with. That’s something truly special.

Q – What was your experience with shooting on film before attending the TDC CineCampus?
I had zero experience shooting on film, but I’ve always had a deep appreciation and admiration for 16mm and 35mm films—the raw texture and soul of shooting on film is undeniable. But in Singapore, the lack of labs and resources made it almost impossible to shoot on film. TDC was my first chance to experience celluloid—and it was worth the wait because it proved to me how magical shooting on film is. It is now my preferred capture format.

Q – How did your participation to the TDC CineCampus change your approach to filmmaking?
Before TDC, I relied heavily on my on-board monitor for lighting. Shooting on film forced me to trust my instincts and my light meter. Now, I can confidently pre-visualize my lighting setups without needing to see a live feed—allowing me to pre-light bigger spaces efficiently and work faster on set. This new skill has completely changed the way I approach cinematography.

Q – Have you kept shooting on film after your participation at the TDC CineCampus?
Not yet—but I’m waiting for the right moment. I haven’t had the chance to shoot on film again, but I know it’s only a matter of time. I’m actively looking for the right project and collaborators who share the same love for celluloid. When that opportunity comes, I’ll be ready.

Q – What would be your advice to the participants to the upcoming TDC25 CineCampus?
Surrender to the process. Shooting on film teaches you patience, discipline, and most importantly, to trust your instincts. Embrace the limitations—they’ll push you to be a better filmmaker. And most importantly, build relationships. You’ll be working with some of the most passionate, like-minded people from around the world—this is your chance to form connections that will last beyond TDC.

---